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Dylan ThomasIn his crib, Dylan Thomas (1914-1953) is said to have vocalized in exuberant primal babble, an early sign of his amazing gift for the sonics of language. Audiences found him electrifying. His densely packed, lilting lines impressed people as poetry of a pure type; his spilling, alcoholic personality only contributed to his charisma. More skeptical, critical minds complained that behind his poetry’s highly original diction lay highly conventional sentiments. O Make Me A MaskO make me a mask and a wall to shut from your spies Of the sharp, enamelled eyes and the spectacled claws Rape and rebellion in the nurseries of my face, Gag of a dumbstruck tree to block from bare enemies The bayonet tongue in this undefended prayerpiece, The present mouth, and the sweetly blown trumpet of lies, Shaped in old armour and oak the countenance of a dunce To shield the glistening brain and blunt the examiners, And a tear-stained widower grief dropped from the lashes To veil belladonna and let the dry eyes perceive Others betray the lamenting lies of their losses By the curve of the nude mouth or the laugh up the sleeve. Bonus: Dubious First Lines of DTPowerful Lungs Dept.To-day, this insect, and the world I breathe Amorous Slumber Dept. I fellowed sleep who kissed me in the brain Strange Behavior in Tombs Dept. When, like a running grave, time tracks you down Them Were The Days Dept. Where once the waters of your face Spun to my screws… Clean Up This Mess Dept. Once it was the colour of saying Soaked my table… Unremarkable Observations Dept. The tombstone told when she died. Let Tears Remember Where They Came From Dept. Twenty-four years remind the tears of my eyes.
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